Artists
Related: About this forumI get wanting hues in different tubes, say clear Quin Gold vs grainy Yellow Ochre. Well I got
raw sienna to do yellower tones in my skies near my blues without going too green. Then today I got raw sienna light to see if I could get, well, lighter than my raw sienna and if could replace yellow ochre with it. They arent quite a color match. Ochre seems more buttery in a light wash. But the raw sienna light didnt seem all that different than ochre with my blues. Did I miss some subtlety, there? These are mostly Daniel Smith paints.
I need to find space in my palette as it is, so the last thing I need is two yellow earths that are nearly identical. The ochre is a grumbacher academy tube. I think for now I will use RS light and see if I fall in love with it for my landscapes.
Laelth
(32,017 posts)Are your eyes OK? You may be entering into late Monet territory (as beautiful as that is).
-Laelth
GreenPartyVoter
(73,062 posts)issues. No idea how well I perceive colors.
Laelth
(32,017 posts)You have it on your palette, as does every other oil painter that I know.
I saw another thread of yours to which I responded this evening. This is not the time to argue about color. I wish you well.
-Laelth
GreenPartyVoter
(73,062 posts)Laelth
(32,017 posts)-Laelth
I find that I use yellow ochre, burnt sienna (warm), and burnt umber (cool) on my palette to cover the brownsif thats any help, but yellow ochre is a necessity.
captain queeg
(11,780 posts)Laelth
(32,017 posts)Thats the color of a warm turd.
-Laelth
GreenPartyVoter
(73,062 posts)Laelth
(32,017 posts)-Laelth
GreenPartyVoter
(73,062 posts)jpak
(41,780 posts)GreenPartyVoter
(73,062 posts)somehow magically didnt make green with blue. LOL