Classical Music
Related: About this forumCosi fan tutte set in the 1960s
Last edited Sat Mar 31, 2018, 12:56 PM - Edit history (1)
Aristus
(68,357 posts)It was in Italian with English supratitles. The translation was altered to conform to the setting, and to include topical jokes.
When the servant girl comes in disguised as a doctor, she touts her accomplishments, including the number of languages she speaks. The supratitles listed the languages as: "English, French, Esperanto, Dothraki, and Jive."
It was hilarious.
There was a similar joke in SO's production of The Magic Flute last season, in which the Three Woodland Ladies complained to Pamino about 'fake news.'
BeyondGeography
(40,015 posts)Its obviously fun for the performers too. In this case, younger performers, who after all, these roles were meant for.
Aristus
(68,357 posts)Both of whom were very, very attractive.
The days of ingenue roles sung by 300lbs middle-aged singers is pretty-much over.
fierywoman
(8,105 posts)Cosí with the conductor Peter Maag, stage director Luca Ronconi. Maag also played the harpsichord from the podium. Total magic!
BeyondGeography
(40,015 posts)I think Im in the scherzo of life right now, but you never know. Could be the 4th movement. Im lost without great music and especially grateful to those who have dedicated themselves to it.
fierywoman
(8,105 posts)The Velveteen Ocelot
(120,858 posts)the portable TV (those didn't exist in the '50s). Great singing, though.
BeyondGeography
(40,015 posts)But the lipstick and the attitude seems kind of 50s to me. Not sure if the dresses were that short though, so youre probably right.
Make that you are right:
https://mostlyopera.blogspot.com/2008/09/dvd-hilarious-cosi-fan-tutte-from.html?m=1
The Velveteen Ocelot
(120,858 posts)So I recognized the era instantly.
There's a funny story about the first performances of the opera: "Mozart disliked prima donna Adriana Ferrarese del Bene, da Ponte's arrogant mistress for whom the role of Fiordiligi had been created. Knowing her idiosyncratic tendency to drop her chin on low notes and throw back her head on high ones, Mozart filled her showpiece aria Come scoglio with constant leaps from low to high and high to low in order to make Ferrarese's head "bob like a chicken" onstage." https://en.wikipedia.org/wiki/Cos%C3%AC_fan_tutte