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elleng

(136,071 posts)
Mon Dec 17, 2018, 03:29 PM Dec 2018

In These New Essays, John McPhee Finds Poetry in the Material at Hand.

'THE PATCH
By John McPhee
242 pp. Farrar, Straus & Giroux. $26.

Here is the seventh collection of essays by John McPhee, his 33rd book and perhaps his eleventy-billionth word of published prose. This far into a prolific career, it may be a good time to finally unmask the 87-year-old as a one-trick pony. In “The Patch,” he again shamelessly employs his go-to strategy: crafting sentences so energetic and structurally sound that he can introduce apparently unappealing subjects, even ones that look to be encased in a cruddy veneer of boringness, and persuade us to care about them. He’s been working this angle since the 1950s; it’s a good thing we’re finally onto him now.

Reading McPhee’s back catalog prompts uncomfortable questions, like “Why am I suddenly compelled to know more about plate tectonics or the engine rooms of the merchant marine?” In “The Patch,” it’s “Why am I suddenly invested in McPhee’s quest to pluck golf balls from local rivers using a telescoping rod called an Orange Trapper?”

At this stage in life, McPhee is no longer writing stories that take him hiking with blistered feet through the Glacier Peak Wilderness, and when he canoes, he paddles through “The Patch” of the title essay aware of his so far “uneroded” balance. He mentions cycling, but his exercise still seems to derive from sentence construction, prying out lazy words, rummaging through dictionaries and wringing suspense from unlikely moments, as when he extends his Orange Trapper. It “quivers, wandlike.” He reaches and reaches and finally snatches up a golf ball before fleeing the approaching greenskeeper “at a speed so blazing that I probably could not duplicate it if I were to try now, but that was years ago, when I was 80.”

McPhee finds surprising poetry in the material at hand, as in his list of found golf balls emblazoned with the names of mutual funds; the shanked Titleists of the 1 percent sink into his beloved Merrimack, Delaware and Connecticut Rivers. The Northeast has changed and is always changing, from the rivers to the pine forests to the earth’s crust below. Nature, in McPhee’s journalism, can only be preserved until it’s threatened again. . .

In the first and best essay in this collection, he vividly introduces the latest thing-you-didn’t-know-you-cared-about: the chain pickerel, a fish with a “culinary quality … in inverse proportion to its size.” As expected, McPhee describes an explosive “slime dart” that treads water “in much the way that a hummingbird treads air.” But he ensures that the essay is as much about the legacy of his dying father. The image of a fish “as voracious as insurance companies, as greedy as banks” lingers like a splash, but the lasting impression is that of a patient lying in a hospital bed while his son tells him what he caught that morning with the old man’s bamboo fishing pole.'">>>

https://www.nytimes.com/2018/12/17/books/review/patch-john-mcphee.html?

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In These New Essays, John McPhee Finds Poetry in the Material at Hand. (Original Post) elleng Dec 2018 OP
Love love love John McPhee. shanny Dec 2018 #1
Ditto! elleng Dec 2018 #2
A pioneer of narrative non-fiction Bradshaw3 Dec 2018 #3
I first read his essays in the New Yorker... CaliforniaPeggy Dec 2018 #4
You're welcome, Peg. My first of his was elleng Dec 2018 #5
Post removed Post removed Nov 2019 #6

CaliforniaPeggy

(152,097 posts)
4. I first read his essays in the New Yorker...
Mon Dec 17, 2018, 04:10 PM
Dec 2018

And then they were published as books.

And then he revised them into one glorious book........which I bought and read!

Annals of the Former World--an amazing volume!

Glad to hear he's still at it. Thanks, my dear elleng.

Response to elleng (Original post)

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