google doodle today honours Dolores del Rio-first major female latin-american cross-over star

[niyad]

Dolores del Río

This name uses Spanish naming customs: the first or paternal family name is Asúnsolo and the second or maternal family name is López-Negrete.

Born María de los Dolores Asúnsolo y López-Negrete
August 3, 1904
Durango, Durango, Mexico
Died April 11, 1983 (aged 78)
Newport Beach, California, U.S.
Cause of death Liver disease
Resting place The Rotunda of Illustrious Persons, Dolores Cemetery, Mexico City, Mexico
Nationality Mexican
Occupation Actress
Years active 1925–1978
Spouse(s)

Jaime Martínez del Río
(m. 1921; div. 1928)
Cedric Gibbons
(m. 1930; div. 1940)
Lewis A. Riley
(m. 1959; her death 1983)

Partner(s) Orson Welles (1940–1943)
Parent(s) Jesus Leonardo Asúnsolo Jacques
Antonia López-Negrete
Relatives Ramon Novarro [cousin] (1899–1968)
Andrea Palma [cousin] (1903–1987)
Signature
Dolores del Río's signature.jpg

Dolores del Río (Spanish pronunciation: [doˈloɾes del ˈrio]; born María de los Dolores Asúnsolo López-Negrete; August 3, 1904[1] – April 11, 1983) was a Mexican actress. She was the first major female, Latin American cross-over star in Hollywood,[2][3][4][5] with a career in American films in the 1920s and 1930s. She was also considered one of the more important female figures of the Golden Age of Mexican cinema in the 1940s and 1950s.[6] Del Río is remembered as one of the most beautiful faces of the cinema in her time.[7] Her long and varied career spanned silent film, sound film, television, stage and radio.

After being discovered in Mexico by the filmmaker Edwin Carewe, she began her film career in 1925. She had roles in a series of successful silent films like What Price Glory? (1926), Resurrection (1927) and Ramona (1928). During this period she came to be considered a sort of feminine version of Rudolph Valentino, a "female Latin Lover".[8] With the advent of sound, she acted in films that included Bird of Paradise (1932), Flying Down to Rio (1933), Madame Du Barry (1934) and Journey into Fear (1943). In the early 1940s, when her Hollywood career began to decline, del Río returned to Mexico and joined the Mexican film industry, which at that time was at its peak.

When del Río returned to her native country, she became one of the more important promoters and stars of the Golden Age of Mexican cinema. A series of films, including Wild Flower (1943), María Candelaria (1943), Las Abandonadas (1944), Bugambilia (1944) and The Unloved Woman (1949), are considered classic masterpieces and helped boost Mexican cinema worldwide. Del Río remained active in Mexican films throughout the 1950s. She also worked in Argentina and Spain.

In 1960 she returned to Hollywood. During the next years she appeared in Mexican and American films. From the late 1950s until the early 1970s she also successfully ventured into theater in Mexico and appeared in some American television series. Del Río performed her final screen appearance in 1978. After a period of inactivity and ill health, del Río died in 1983 at the age of 78.

Dolores del Río is a mythical figure in Latin America and is considered representative, par excellence, of the feminine face of Mexico in the whole world.[9]

[femmocrat]

1. K & R

A remarkable woman!