Welcome to DU! The truly grassroots left-of-center political community where regular people, not algorithms, drive the discussions and set the standards. Join the community: Create a free account Support DU (and get rid of ads!): Become a Star Member Latest Breaking News Editorials & Other Articles General Discussion The DU Lounge All Forums Issue Forums Culture Forums Alliance Forums Region Forums Support Forums Help & Search

elleng

(136,043 posts)
Sun May 1, 2022, 03:02 AM May 2022

A movie about how 'Fiddler on the Roof' became a movie

'Despite his name, Norman Jewison, the director of the 1971 film adaptation of “Fiddler on the Roof,” is not Jewish.

The 95-year-old Jewison has often spoken about how, when asked to helm the movie version of the popular Broadway musical about an Old World shtetl, he felt the need to sheepishly inform the producers that he was a goy.

Less well known is that, following the worldwide success of the “Fiddler” movie, Jewison actually wound up embracing the Jewish faith. Though he has never spoken of formally converting, he reveals near the end of the new documentary “Fiddler’s Journey to the Big Screen” that, when he married his second wife Lynne St. David Jewison in 2010, the couple had a Jewish wedding — complete with a rabbi and a chuppah.

“Fiddler’s Journey to the Big Screen” tells the story of how the stage musical became a beloved screen classic. (It’s not to be confused with the 2019 documentary “Fiddler: A Miracle of Miracles,” which focused more on how the adaptation of Sholem Aleichem’s Yiddish short stories made it to the stage.) Directed by Daniel Raim, an Israeli-born filmmaker who specializes in behind-the-scenes film history documentaries for the boutique arthouse label The Criterion Collection, “Fiddler’s Journey” concerns itself with the details of film adaptation and the logistical challenges of recreating a convincing prewar Jewish shtetl in the former Yugoslavia. . .

That commitment also led Jewison and his crew to reconstruct a wooden synagogue in the style once common in the Pale of Settlement, a story told in one of the documentary’s more moving passages. Jewison’s crew was unable to find a real-life synagogue that hadn’t been destroyed during the war. The new documentary’s Ukrainian-born producer and publicist, Sasha Berman, felt a connection to the film for this reason: Her grandmother grew up in an Anatevka-like shtetl, and would tell her stories about village life in much the same way as Sholem Aleichem, keeping the stories of Jewish life alive.'>>>

https://www.jta.org/2022/04/28/culture/a-movie-about-how-fiddler-on-the-roof-became-a-movie?

Latest Discussions»Alliance Forums»Jewish Group»A movie about how 'Fiddle...